JACEK SOTOMSKI

WORKS

SOLO

Life 2 (2018-19)    

YouTube movies or live performance score for alto sax, electronics and video

Commisioned and dedicated to Weronika Partyka

 

Sex and Violence (2018)     

for reciter and audio track

 

Alternative Music (2017)    

for electric viola (Digitaize), video and audio track

Dedicated to Rafał Zalech

 

We Are Number One but see the description (2016)    

for sampler (or piano)

Dedicated to Martyna Zakrzewska

 

Accordion GO (2016)    

for accordion, live electronics, video and audio track

Dedicated to Małgorzata Burzyńska

 

Swansesque (2014)  

for harp solo

 

I DID IT FOR LULZ (2011)

automated Max/MSP patcher

 

Void (2011, rev. 2014)

automated Max/MSP patcher (2014 revision for audio track)

 

Kilgore Trout stories (2011)

for reciter and computer

 

Glue (2009)  

for clarinet or any melodic instrument

CHAMBER (2-5)

Pastrami. Dramma per musica (2022) after Malcolm XD prose

for two acresses and computer

Commissioned by 14. Festival for Tradition and Avantgarde “Codes” 2022 in Lublin, Poland

 

NEW FORMS (2021)   

for ensemble and media

Collective composition: Dobromiła Jaskot, Katarzyna Krzewińska, Paweł Malinowski, Jacek Sotomski, Hubert Sulima, Mateusz Śmigasiewicz, Marta Śniady

Commissioned by 64th Festival “Warsaw Autumn” 2021

 

WALKTHROUGH (2020)    

video-poem

(video: eternal engine, directing cooperation: Magda Szpecht)

Commissioned by Sacrum Profanum Festival 2020

Dedicated to Krzysztof Pietraszewski

 

YouTube Hero: klocuch post (2020)  

for any melodic, harmonic or percussion instrument, video and audio track

Scholarship of Fundusz Promocji Twórczości (Creativity Promotion Fund) of ZAiKS Association

 

Pepe is Pepe is Pepe (2017)  

(score revision 2019, documentation of 2017 premiere)

for ensemble (fl, cl, hp, sampler), electronics and video

(contact me if you want custom instrumentation for your ensemble)

Piece composed for Ensemble Adapter for Adoptions 2017

 

Joy of Music (2016, rev. 2022)  

(score and documentation from 2016 version as “Healing Nature & Joy of Music” for viola, accordion and video)

for viola and accordion

 

I’m so noided, California (2015, rev. 2022)

for accordion and extended string quartet (vn, vn, vl, vc)

(score under revision)

ENSEMBLE (6-14)

Hypercanzonas (2024)   

for soprano and seven performers

The piece was created thanks to the Artistic Scholarship of the Mayor of the City of Wrocław and commissioned by the Sacrum Profanum 2024 Festival

Dedicated to Barbara Kinga Majewska


Limits of Control (2024)  

for chamber ensemble and video

The piece was created thanks to the Artistic Scholarship of the Mayor of the City of Wrocław and commissioned by the Music Academy in Łódź

Dedicated to Maciej Koczur


JUBBILEE (2021) 

for 8 instruments

Written for 100-year jubilee of Karol Szymanowski Music School in Toruń


CREDOPOL (2018-19)    

for six performers and video

Commissioned by Culture Department of Municipality Office of City of Wrocław

Dedicated to Matylda Sotomska


Thanks, Leszek (2017)  

for chamber ensemble and fixed video

Commissioned by 60th Festival “Warsaw Autumn” 2017

Dedicated to members of Spółdzielnia Muzyczna contemporary ensemble


enneachine (2008)

for 9 instruments

ORCHESTRAL (15<)

Melancholy. Piano concerto (2025) 

for piano (+KORG M1 VST) and symphonic orchestra

Commissioned by 11th Festival of Premiers in Katowice

Dedicated to Małgorzata Walentynowicz

 

Transinstrumentalism (2022)  

concerto grosso for 5 solo voices and accompanying instruments

Commissioned by 65th Festival “Warsaw Autumn” 2022

Dedicated to Cezary Duchnowski

 

2006 (in memory of Keith Flint) (2020)    

for chamber orchestra

Commissioned by Eva Kesslova and BERG Orchestr in Prague

 

Supermarket of New Music (2015)    

for chamber orchestra (soundtrack for “Emak-Bakia” by Man Ray)

Commissioned by BERG Orchestr in Prague

 

It is highly anticipated (Overwritten) (2015)  

for 2 sopranos, mezzosoprano and chamber orchestra

 

beautiful to me. ah (2014)    

double concerto for accordion, computer and string orchestra

Commissioned by festival Musica Polonca Nova 2014 financed by “Collections – commissions” 2014 programme

Dedicated to Rafał Łuc

 

Gutta cavat lapidem non vi sed saepe cadendo (2012)  

for chamber orchestra

Dedicated to Konrad Burzyński